Mark Lanegan Band
Beehive, "...a relatively straightforward riff-rocker, one with a huge melody that recalls Lanegan’s Screaming Trees days. It's also a grand and catchy and anthemic rock song, the type they don’t make very often anymore." - Stereogum
Mark Lanegan's new album 'Gargoyle' is due for release April 28 on Heavenly Recordings
'Gargoyle' features guest appearances from long-time collaborators Josh Homme [Queens Of The Stone Age], Greg Dulli [The Afghan Whigs] & Duke Garwood
The Mark Lanegan Band has shared a 2nd track from this much-anticipated LP in the form of new single “Beehive.” With its addictive hooks, swirling production, and irresistible swagger, “Beehive” brilliantly exemplifies the staggering new musical paths Lanegan has forged for himself in recent years.
A 'WTF w/ Marc Maron podcast premiered this week, week of release alongside Mac Demarco interview, coverage already picked up on Pitchfork, Stereogum, Rolling Stone!
Mark Lanegan has received significant press support on 'Gargoyle' from key press already including Pitchfork, NME, Q, Mojo, Rolling Stone, Consequence Of Sound, BrooklynVegan, Stereogum, WNYC, Exclaim, Mxdwn & The Guardian.
Both singles from 'Gargoyle', "Nocturne" & Beehive have been Top 10 @ Commercial Specialty Radio (FMQB)!
A tour to support 'Gargoyle' was announced week of release for a month in August, all major markets!
Spotify: 245K Monthly Listeners / 54K Followers
Facebook: 155K Likes
Twitter: 28K Followers
YouTube: 200K Views
RIYL: Leonard Cohen, Tom Waits, Screaming Trees, Morphine, Nick Cave
Early in 2016, Mark was at home in LA, working on some ideas for what might turn into his next album when he got an email from a friend, an English musician named Rob Marshall, thanking Mark for contributing to a new project he was putting together, Humanist. The pair first met in 2008, when Marshall’s former band Exit Calm supported Soulsavers, who Mark was singing with at the time. Now Rob was offering to write Mark some music to return the favour: “I was like, Hey man, I’m getting ready to make a record, if you’ve got anything?’” Mark recalls. “Three days later he sent me *10 things… !”
In the meantime, Mark had written ‘Blue Blue Sea’, a rippling mood piece that he thought might be a more fruitful direction for his new record. “It’s almost always how my records start,” he explains. “I let the first couple of songs tell me what the next couple should sound like, and it’s really the same process when I’m writing words. Whatever my first couple of lines are tell me what the next couple should be. I’ve always built things like that, sort of like making a sculpture I guess.”
Within an hour, Mark had written words and vocal lines for two of the pieces Rob had cooked up at Mount Sion Studios in Kent and pinged through the virtual clouds to California. Rob’s music fitted perfectly with the direction Mark had been pondering: in essence, a more expansive progression from the moody Krautrock-influenced electronica textures of his two previous albums, ‘Blues Funeral’ and ‘Phantom Radio’. Eventually, Rob Marshall would co-write six of the songs on the new Mark Lanegan Band album. “I was very thankful to become reacquainted with him,” Mark deadpans.
The remainder of the album was written, recorded and produced by Lanegan’s longtime musical amanuensis Alain Johannes at his 11 AD base in West Hollywood. Everything was done and dusted within a month, unusually fast by Lanegan’s recent standards. “I definitely feel like I’m a better songwriting than I was 15 years ago,” he says. “I don’t know if I’m just kidding myself or what, but it’s definitely easier now to make something that is satisfying to me. Maybe I’m just easier on myself these days, but it’s definitely not as painful a process, and therefore I feel I’m better at it now. But part of the way that I stay interested in making music is by collaborating with other people. When I see things through somebody else’s perspective it’s more exciting than if I’m left to my own devices.”
While sharing roots with its two predecessors, on Gargoyle there’s a significant up-shift in the swaggering powerlode of such keynote songs as Nocturne and Beehive, while the lyrics’ tonal palette is more varied. The album title comes from a lyric in Blue Blue Sea – “Gargoyle perched on gothic spire” – and was chosen for its hint of self-deprecation. “I’m most proud of the songs that are atypical to stuff that I’ve done in the past” says Mark. “So I really like Old Swan, because it’s an expression of positivity, which is completely anti-anything I’ve done before!” He laughs. “Y’know, I haven’t played this record for too many people yet. I played it for Greg Dulli, who played on some of it, and he was like, ‘Wow, I had to listen to it twice – it sounds like he’s having a good time…’
It’s been a long journey travelled, not always easy, but in 2017, at the age of 52, Lanegan’s got the look of permanence about him. Like that gargoyle on the gothic spire….
01 Deaths Head Tattoo
03 Blue Blue Sea
07 Goodbye To Beauty
08 Drunk On Destruction
09 First Day Of Winter
10 Old Swan
For Fans Of
The Afghan Whigs
Queens of the Stone Age
Mark Lanegan Band
Order Due Date
15% (ends 05/04/2017)
Mark Lanegan Band
Order Due Date
10% (ends 05/04/2017)
Vinyl Longplay 33 1/3