Bombadil

Fences Fences Fences

Marketing Highlights

  • New album produced by John Vanderslice (Spoon, The Mountain Goats, Samantha Crain).
  • Mastered by Bernie Grundman (Michael Jackson’s Thriller, Dr. Dre’s The Chronic, Carole King’s Tapestry)
  • 180 gram vinyl pressed by Quality Record Pressing includes exclusive download of the demo for "Long Life" in addition to the record itself.
  • Vinyl lacquers were cut directly from analog tape.
  • National press campaign led by Matt Hanks at Shore Fire Media.
  • National radio campaign led by Michael Krumper at Missing Piece Group and Lindsay Reid at Thirty Tigers.
  • Bombadil's previous releases have landed successful sync placements, including their song “Amy’s Friend”, which was featured in the main credits of the summer 2015 hit comedy Trainwreck starring Amy Schumer.
  • Bombadil has played major festivals including Bonnaroo, FloydFest, Pickathon, & Bristol Rhythm and Roots Reunion.

Bio

Dear listener,

Fences is something new for our band Bombadil. It is more than just an album; it is a new path, a reset after several challenging years. The path began in January 2015, when a longtime member of Bombadil unexpectedly left our band. Daniel Michalak and I sat down to discuss our next steps. It was a time for soul searching. A duo of a bassist and drummer did not feel like a band. Moving forward seemed daunting, but we both felt like there was more to say with the band. We wanted to make music. So we began simply by making some. Writing and recording the Still Bombadil EP was fun. A fast and dirty exploration of a creative idea, no room for fiddling, deadline looming. Our last album, Hold On, had not been like that. It had been an ordeal.

Daniel suggested composing songs using guitar instrumentals our old bandmate Bryan Rahija had written, and of limiting ourselves to a small palette for the next album: guitar, piano, upright bass, harmony vocals. The goal was to make a folk record, something easy to understand, something beautiful. He shared a demo for “Binoculars” and I loved it. It was simple, elegant. We added it to the live set almost immediately. Daniel continued writing, focusing on guitar, harmony, and emotion. The songs inconveniently had no drums (what was I going to play?!). He instead wrote parts for me to sing and we began collaborating on composing tunes with a similar approach. “Fence” was written together at a friends house in Crozet, Virginia to kill time on tour. An old song of mine, “Long Life,” was revived and extended. Percussion parts started to show up. Daniel’s commitment to songwriting continued to inspire, a new demo was in my inbox almost weekly. Daniel enlisted the help of an old friend and data scientist, Nasir Bhanpuri, to analyze the success of our old catalog of songs and make suggestions to guide our writing and arranging. It was an experiment that pushed us to take the songs further than we might have in the past. In part, we were throwing ideas at the wall to see what would stick, but we were also searching for something new, actively trying to push ourselves to new creative heights.

We kept the Bombadil ship moving by accepting all shows, searching for more opportunities to play. We found wonderful people to tour in our band. There were good shows. There were bad ones, too. I learned to be a lead singer on the fly and on stage (with the help of an encouraging septuagenarian opera singer). And we kept writing, practicing, and recording. In July 2015, Stacy Harden sent me an email inquiring if we needed a musician. In his audition, he played through songs like he had been in the band all along. He even knew the harmonies. He had grown up a fan of the band, singing along in the car. In October, Stacy and I drove our equipment across the country for a West Coast tour in a four-day sprint and listened to every song the Beatles recorded. His easy-going spirit was infectious, his presence made the band more fun and more inspiring. We had found our man. “What’s So Great About You” was the first collaboration between this new trio, and we started to discover what a new version of our band sounded like.

In January 2016, the three of us left North Carolina for Littleton, Massachusetts to spend several weeks at a friend’s farmhouse. We recorded all day long, cooked together, spent our breaks around a roaring wood stove carefully tended to by Daniel. The resulting demo recordings gave us a roadmap to follow. Our label, Ramseur Records, suggested a producer, a departure after self-recording our last three records. John Vanderslice was given the demos and was enthusiastic about the material. He insisted that we listen closely to Paul Simon’s first record. He told us the songs needed a sense of danger, that our demos felt like we were being too careful, and that the songs needed more percussion. John is opinionated, talented, and inspirational. And most of all, making the record with him over 12 days in September 2016 at Tiny Telephone in San Francisco was easy. And fun. And fast. We used only analog equipment, recording to tape through high-end vintage equipment. Bryan came to play his guitar parts (which by this point Stacy had learned for live performances of the material). The recordings were all first takes, new ideas were quickly embraced, mistakes were left alone as intention, very little artificial reverb was used but John’s concrete echo chamber was used extensively. We hoped to catch lightning in a bottle and I think that we did.

To me, Fences represents the journey of the last two years. It is the discovery of a group voice, the willingness to explore collaboration between old friends, and an openness to let new voices into the fold. It is something I am proud to have been a part of and am excited to share with the world. To me, it is an example of the power and positivity of collaboration, of a group of human beings working diligently on a shared vision. If nothing else, I can say that we tried as hard as we possibly could. I can’t wait to do it again.

Thank you for listening,

James Phillips/Bombadil

Tracklist

1. What’s So Great About You
2. Not Those Kind of People
3. Binoculars
4. Math and Love
5. Perfect
6. Fence
7. Good News Sadie
8. I Could Make You So Happy
9. Long Life
10. Is This Danger
11. No Snow in the Valley

For Fans Of

Fleet Foxes
The Shins
The Tallest Man on Earth
Dawes

Home Market

Durham, NC - United States

Album Details

Artist

Bombadil

Album Title

Fences

Street Date

03/03/2017

Order Due Date

02/03/2017

Discount

5% (ends 03/09/2017)

Genre

Rock/Acoustic

Label

Ramseur Records

Parent Label

Thirty Tigers

Configuration

CD Longplay

Price Code

CD12

UPC

653341886194

Box Lot

30

Catalog #

RR034314

Album Details

Artist

Bombadil

Album Title

Fences

Street Date

03/03/2017

Order Due Date

02/03/2017

Genre

Rock/Acoustic

Label

Ramseur Records

Parent Label

Thirty Tigers

Configuration

Vinyl Longplay 33 1/3

Price Code

LP20

UPC

653341886293

Box Lot

25

Catalog #

RR034315

Album Details

Artist

Bombadil

Album Title

Fences

Preorder Date

01/20/2017

Street Date

03/03/2017

Genre

Rock/Acoustic

Label

Ramseur Records

Parent Label

Thirty Tigers

Configuration

Digital Audio Longplay

UPC

886446303727

Tour Dates

Bandsintown

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